External and internal beauty. Dedicated to Nicole Kidman
Fascinated by her appearance, we naturally want to go further, deep into her soul and find out who she really is …
They say that the figure and appearance of a Barbie doll is idealized and impossible for an ordinary, earthly woman. Oh really? Look at Nicole Kidman. Perfect face, chiseled figure, royal posture, snow-white skin, mischievous huge eyes. And it seems that this woman lives the same life - everything in this life should be ideal and fabulous.
But no, this is a different story. Nicole Kidman built her movie star career not on a pretty face, but on talent and daily work. Time after time, she chose complex, unusual roles, where through images she conveyed to us not external beauty, but the internal states of a person, his emotional and mental experiences.
Nicole Kidman is a wonderful actress, to whom the attention of millions of fans from all over the world is riveted. Fascinated by her appearance, we naturally want to go further, deep into her soul and find out who she really is. A more attentive look at her life, views, work in cinema, social activities allows us to understand that behind the external beauty lies the internal one. Her special sensuality and ability to work makes her special among thousands of other beautiful women.
The life and work of Nicole Kidman: that which cannot be separated
Actors are amazing people. We mistakenly believe that their profession is exactly the same as any other - there is a certain set of duties that they perform. And the better they do it, the more successful they become. But for actors, it's a little different. As Yuri Burlan's System-Vector Psychology explains, the success of an actor or actress depends not only on professionalism, but also on the sensuality that they are able to put into their roles.
Nicole Kidman is a bright skin-visual woman at a fairly high level of development. It is her vector set that determines her entire life: from the choice of roles to extreme work capacity.
Nicole Kidman: sensuality as the root of an actress's talent
Nicole Kidman was born into an intelligent family: her dad is a scientist, her mother is a doctor. From early childhood, the girl began to study ballet, and then she went to the theater and began to study vocals. Intensive classes, of course, developed Nicole's skin vector, taught her to endure and discipline, which had a beneficial effect on her future profession.
She showed great promise, but it all suddenly stopped. Nicole's mother fell seriously ill and her daughter had to leave everything to look after her and look after the house. If we did not understand the peculiarities of the development of the visual vector, then we could sympathize with the child - what a shame, the mother's illness deprived her of the opportunity to develop in the profession. But no, in this case everything works just the opposite.
The system-vector psychology of Yuri Burlan makes a simple fact obvious: the best actors are not those who know how to imitate other people's feelings well, remaining emotionally cold inside, but those who receive a sensory skill in childhood, learn to bring their emotions out through empathy and compassion, but then splashes an avalanche of feelings on the screens, generating vivid emotions in the audience.
While Nicole's peers were engaged in acting school, honing the artificial copying of human emotions, the girl revealed her visual vector live - through compassion and empathy to her beloved mother. This education of feelings will soon allow Kidman not only to play roles, but to live the lives of his heroines on the screen.
This is especially noticeable in the roles of not fictional, but historical characters. This is the role of the writer Virginia Wolfe in The Watch, and Grace Kelly in The Princess of Monaco, and Diana Arbus in Fur, and Gertrude Bell in Queen of the Desert, Martha Gellhorn in Hemingway and Gellhorn. Before us is a real gallery of lived lives, with their sufferings, joys, love and passion.
Not surprisingly, before playing the role of Nicole Kidman, she always collects all possible information about her heroine, she looks at the photo, reads the letters, and engages in the same hobbies. In general, by all means visually gets used to the role.
Nicole Kidman at the Moulin Rouge: forward, forward - to change
The skin vector plays an important role in Nicole's talent. As Yuri Burlan's System-Vector Psychology explains, a developed skin vector gives its owner endurance and discipline.
Skin people are amazing, because on the one hand, they are the ones who are able to hone the same actions for years (for example, in ballet), and on the other hand, they are sick of the same type, they quickly get bored of the monotony. And only if they find the right balance between discipline and the ability to adapt changes, they make amazing people. This is exactly what happened with Nicole Kidman.
She played her first role at the age of 17, and then at the casting she was distinguished not only by her talent, but also by her confident desire to become a good actress and reach a celebrity. Among her works, you will not find the roles of an average hand, she approaches each with great composure, plays very well and gives out the whole gamut of feelings that is necessary for this role. And sometimes even beyond what is expected of her.
On the other hand, her heroines impress with a variety of types - she played both prostitutes and high society ladies, she is equally good at being both a victim and a sadist. For example, in the filmography of Nicole Kidman there is a touching work "My Life", where she plays a pregnant wife who finds out that her husband is dying of kidney cancer and nothing can save him. And in the thriller "To Die in the Name" she is already playing a wife, for whom her husband becomes an obstacle in her career, so it is necessary to get rid of him in the literal sense of the word.
Directors who work with Kidman note that she does not need to be persuaded to try something new, she herself strives for this. This was, for example, in "Moulin Rouge", where she first began to sing and fly on a trapeze, in "Invasion", where she became the heroine of a horror film. For the film "Watch" she specially learned to write with her right hand, although by nature left-handed, for the role in the film "The Birthday Girl" she learned to swear in Russian, and while working on the film "Tainted Reputation" she visited shelters for women who were subjected to violence. Unusual and frequent reincarnations have become Nicole Kidman's trademark.
“When it comes to my career, I always want to make unexpected choices. I don't like repeating myself, doing the same thing over and over again. I really love different directors and different roles. And if the role of a negative character seems unusual to me, I will choose it, even if the viewer does not like this character”- Nicole Kidman on her role as an evil mother in the film“The Golden Compass”.
What is behind Nicole Kidman's beautiful looks?
All visual people notice much more around than others: they see more colors, trifles, halftones. But only a developed visual vector can see the inner behind the outer.
At the same time, external beauty ceases to be an end in itself. Those who communicate with Nicole Kidman in person often note that one cannot help but hold their breath from her beauty - is she really real. But Nicole herself is not afraid to seem different, she is not afraid to seem ugly. In the mini-series "Bangkok Hilton" she ends up in a Japanese prison and sleeps on a filthy, cockroach-infested floor; in "Dogville," "Hours" she agrees to make-up with a false nose, which literally disfigures her.
“At first I didn’t want to dive so deeply into the role and disfigure my appearance for the movie The Hours. But then she decided that she simply had to reflect the character of Victoria Woolf, find her image, understand her feelings, portray her as she was in life.
Personal life - motherhood and marriage Nicole Kidman
Anyone familiar with the system-vector psychology of Yuri Burlan understands that the skin-visual woman is special. And in matters of marriage, motherhood, this is revealed most of all.
Women like Nicole Kidman cannot belong to one man. They need to belong to everyone in the world. At the same time, for a long time, skin-visual women did not give birth, they were the only women of all women who accompanied men on campaigns, became their muses …
When Nicole Kidman married Tom Cruise, all the magazines were overwhelmed with a wave of joy - this couple will be forever and ever: beautiful, identical, talented. However, through systemic vector psychology, it is initially clear that this marriage is not natural: skin-sound-visual Tom Cruise and skin-visual Nicole Kidman. Attraction in such a pair is short-lived; it is replaced by no less fleeting visual affection and general skin interests.
In an unnatural couple, the problem of having a child often arises. So it was in this case, Nicole did not manage to bear the child, which resulted in the adoption of two babies - Connor and Isabella.
With her second husband, Nicole managed to conceive, bear and give birth to a baby Sunday Rose in 2008. Of course, for a skin-visual woman, this is already heroism, and they decided to give birth to their second child with the help of a surrogate mother.
“The visual skin girl in the modern world is literally lost in the affairs of motherhood. She either becomes a faithful child-free and a supporter of abortion, or, on the contrary, most of all wants to have a child. But the point is not how one should live in society, the point is personal happiness, which is special among skin-visual contemporaries. " Read more about this in the article "Maternal Instinct Wanted"
Nicole Kidman - UN Goodwill Ambassador
Skin-visual women a hundred years ago and today are the creators of culture, educators of the senses, awakening in us the best human experiences and the brightest emotions. A good film and a real game not only give pleasure, but give strength to the soul, which, as you know, must work.
The talent of skin-visual actresses like Nicole Kidman undoubtedly embellishes and makes our life more complete.
Today Nicole Kidman is a member of the societies for the fight against breast cancer and helping street children, in 2004 she was named by the UN "citizen of the world" and was nominated by UNICEF as a Goodwill Ambassador.
In one of her interviews she said: “I think: when life gives you a lot, you simply have to not only receive, but also give.”
You can learn more about skin-visual women and consider the richest palette of all possible states and manifestations of the visual vector using Yuri Burlan's System-Vector Psychology. Registration for free online lectures at the link:
