Elina Bystritskaya. Part 1. "Son of the Regiment"
“A popular song sings:“I often dream of those guys …”All my life I will dream of my wounded, my mobile, on wheels, hospitals, bloody bandages, blood on white coats,” Bystritskaya writes in her memoirs. Her visual sensitivity and powerful memory have forever preserved these tragic pictures, seen by a teenage girl in the war …
Already in peacetime, Elina Avraamovna will be awarded the Order of the Patriotic War of the II degree, medals for participation in the Great Patriotic War and even the badge "Son of the Regiment" - the title "Daughter of the Regiment" simply did not exist. Then other state awards will be added to them for her role and contribution to the Soviet elite culture, in the creation of which Elina Bystritskaya was directly involved.
Freedom of choice and will of Elina Bystritskaya
When the Great Patriotic War began, the Kievite Elea Bystritskaya turned thirteen years old. Her father, Abraham Petrovich Bystritsky, was a military doctor, her mother helped in the hospital. The daughter, against the will of her parents, did not want to stay at home and went to nursing courses. The small, fragile girl looked like a first-grader, and only a successfully passed exam in medicine decided her fate. A thirteen-year-old nurse started working in the hospital.
At her age, girls with pigtails and neat dresses in elegant handwriting write school essays about their favorite literary characters in notebooks. And skin-visual fidgets chase with the neighbour's boys on the roofs and pretend to bandage the “courtyard fighters” “mortal wounds”. Elina's “dressing practice” began in a real hospital, and her patients were seriously wounded soldiers of the Red Army.
At lectures on system-vector psychology, Yuri Burlan raises a very important issue of choice. It would seem that since we do not decide when, where and to whom to be born, then what can depend on us? “A person chooses his environment, and it, in turn, influences a person. The older he gets, the wider the palette of choice and the possibility of changing the environment,”emphasizes Y. Burlan.
The choice made by Elina Bystritskaya, when she had not yet reached puberty, should be attributed to the highest degree of development of the psyche of a woman with a visual vector.
“A popular song sings:“I often dream of those guys …”All my life I will dream of my wounded, my mobile, on wheels, hospitals, bloody bandages, blood on white coats,” Bystritskaya writes in her memoirs. Her visual sensitivity and powerful memory have forever preserved these tragic scenes seen by a teenage girl in the war.
After the Victory, seventeen-year-old Bystritskaya was immediately admitted to the second year of the medical college. Parents are sure that their daughter will continue the family dynasty of doctors, and Elina dreams of a theater institute. After graduating with honors from the medical school and having studied for a year in the pedagogical school, she takes exams at the Kiev Theater Institute.
The range of self-expression of a woman with a visual vector depends entirely on the degree of development of its properties. Its inherent root fear of death is sublimated into anxiety for others. During the war, young Elina did not have time to fear for herself. Shells exploded nearby, and the wounded needed care and help. Under such pressure of the landscape, a change of internal states occurs through the inclusion of another in oneself. Then fears go away, and the emotions inherent in a visual woman give rise to compassion, empathy, empathy.
Forgive and admit
For several post-war years, Elina Bystritskaya has gone from a sister of mercy and a student of a pedagogical institute to a theater and film actress.
Elina was brought to a theater university by her father. “Please explain to my stupid daughter that she should not enter your institute,” the father said to the director. The girl burst into tears. The crystal dream of studying in the theater, worn out and hard-won, was smashed to smithereens.
Later she will be grateful to her father for his wise act. And at that very moment Abraham Petrovich put his daughter before a choice, and the fate of the future actress was in her own hands. Natural stubbornness and determination have always helped Bystritskaya to achieve her goal.
After many years, the father will forgive his rebellious daughter and recognize her right to her chosen profession. The actress very convincingly and with great success played the role of a doctor, and the film, shot by the classic of cinema Friedrich Ermler, brought a new theme to Soviet cinema. The screen for the first time shows the everyday life of the Soviet intelligentsia. It is not a muscular worker or a collective farmer who becomes the protagonists of The Unfinished Story, but a shipbuilding engineer and a doctor - people with sound and visual vectors.
The time of "weavers", "pigs", "shepherds" and pompous themes was a thing of the past. Sound workers, and behind them the spectators, as people of art, are supposed to feel the shortages of society faster than others and strive to fill them with new modern forms, which often come into conflict with the ossified party elite, fixated on old ideological dogmas. These battles at Bystritskaya are still ahead, but for now a new serious test awaited her.
From front-line soldiers to witch
At the Kiev Theater Institute, Elina was preparing for her performance, concentrating on The Poem of Lenin, which she was to read from the stage in a few minutes. Going deep into herself, she did not notice how a fellow student crept up to her.
“I woke up from terrible pain. Medvedev, a second year student, blew a whistle directly into my ear. Even as a child, I had ear disease, it was somehow cured, but they remained very sensitive to any loud sounds. From the whistle, a sharp pain literally pierced me”[E. Bystritskaya "Meetings under the Star of Hope"].
The response was immediate. Elina punched Medvedev so that he flew to the side, and she slipped onto the stage.
It is known from system-vector psychology that sound specialists tend to be immersed in themselves and are very susceptible to any sounds, especially sharp and unexpected ones.
A student who decides to play a trick on a girl awkwardly is most likely the owner of the oral vector. “The oralist always knows how to inflict psychological trauma on the sound specialist. He likes to quietly come up and shout loudly in his ear,”- says Yuri Burlan in the classroom on system-vector psychology.
Witch-hunt
Medvedev did not forgive Elina for the crack and began fanning the scandal from scratch, drawing new witnesses into it, as necessary, and embellishing the event with additional facts.
A person with an oral vector knows how to lie convincingly and with inspiration. "If he lies, he will not die," they say among the people. Why is this happening? The oralist senses the natural shortages of people and precisely determines the victim that is accepted to negotiate.
The success of Bystritskaya, who had already starred in the action-packed feature film In Peaceful Days, was the reason for the envy of the students. Not every sophomore would be entrusted with a big female role in a movie. In addition, Elina was a beautiful, modest girl, picky in relationships, who did not forgive deception or betrayal.
She dropped out of school at thirteen, after the war she graduated from medical school and even one course at a pedagogical institute, and yet she did not have systematic knowledge. From this, Bystritskaya felt inner insecurity, considered herself an ignoramus among well-read fellow students and teachers. Her desire to be the best in the course and graduate with honors from the university took a lot of time from the student for additional studies and reading.
The sound and visual vectors demanded their own content. The future actress avoided empty student parties, rejected any courtship, and was engaged in self-education every free minute. Thanks to this, the glory of an impregnable proud woman was entrenched in her.
Medvedev, who received a slap in the face, guessed with his natural psyche of the oralist: Elina needs to be influenced by a slander. This ancient method has been used at all times and in all countries. The reasons for it lie in the very skin-visual woman, who lives “not like everyone else” and “smells of pheromones all over Ivanovskaya”, attracting some, repulsing others.
For those listening to the oralist, his every word is fixed on a subconscious level. Medvedev managed to induce his comrades so that they believed in the unworthy behavior of a graduate of the Kiev Theater Institute, a Komsomol member Elina Bystritskaya. The "witch hunt" was announced.
Soon the entire institute went out on a "hunt" demanding that Elina be expelled from the university and expelled from the Komsomol. Students and some teachers stopped greeting Bystritskaya, "burnt with a slander," avoiding her like a leper.
Some especially ideologized members of the collective linked the "whistle incident" with the "case of the Kremlin's doctors-pests" and at the same time accused Bystritskaya of a "Zionist conspiracy." Elina visually threatened suicide if she was expelled.
The feeling of envy is present in any creative team, where skin-visual people predominate. The undeveloped properties of the skin vector can cause hostility and jealousy towards an opponent, and visual emptiness provoke tantrums.
The institute, fortunately, found reasonable heads and did not kick out the student on the eve of the final state exam, transferring the consideration of the "personal case" to the Komsomol committee. In the committee, Elina was asked to put a Komsomol ticket on the table.
“I received the Komsomol ticket at the front, try to take it from me,” Bystritskaya was indignant. There were no people willing to contact the former front-line soldier. The case was let down on the brakes, a reprimand was imprinted on the obstinate student, and two months later it was removed. This case cemented for Elina the glory of a beauty with character.
Stalin died, but his work lives on
There was another good reason for the collective nervousness in society. All these events related to the expulsion occurred in the spring of 1953. After the unexpected death of the "Leader of all peoples", the country partly fell into a stupor, partly into hysteria. The memories of people who survived the death of the olfactory Stalin testify to the fact that the entire USSR mourned his loss. Horror was inspired by uncertainty and uncertainty, they were waiting for a new war. With the departure of the head of state, the people have lost the main thing that they had for 30 years - a sense of security and safety.
Against the background of the lack of confidence and the stress of not understanding how to continue living without Stalin, people grew dislike for each other. Stabilization of severe collective psychological states in ancient times took place through the ritual act of cannibalism, and later through a conditional sacrifice - “burning at the stake” of a skin-visual woman. In the Kiev Theater Institute, this role was assigned to Elina Bystritskaya.
Read more …
