Elina Bystritskaya. Part 2. My misfortune is that I am beautiful
Elina Bystritskaya writes: “In the year the Unfinished Story was released, tens of thousands of girls went to study at medical schools under her influence. They have become excellent doctors. And one of them later even saved me …"
Part 1. "Son of the Regiment"
“She saved the team, she saved the performance”
Yuri Solomin about Elina Bystritskaya.
People with a visual vector are called upon to raise the bar in the field of humanism and culture, which they themselves created. Culture is the limitation of hostility for the sake of preserving life, and social forms are developed by sound specialists who set the direction of visual culture.
In the USSR, art was an integral part of culture, and sound-visual cinematography was one of its tools, which in an artistic and visual form instilled in the viewer norms of behavior in society.
Elina Bystritskaya writes: “In the year the Unfinished Story was released, tens of thousands of girls went to study at medical schools under her influence. They have become excellent doctors. And one of them later even saved me …"
Famous actresses are often imitated by other women, repeating outfits, gestures, and makeup after them. System-vector psychology of Yuri Burlan shows that such a phenomenon is based on the equality of the properties of an actress with a skin-visual ligament of vectors and her fans with the same vector set.
The audience usually makes the transfer of a work of art and its characters to life. Bystritskaya is a polymorph with a high degree of realization of the properties of all its vectors. Therefore, the images created by Elina Avraamovna in theater and cinema are beautiful and holistic.
In many ways, the imitation of the actress or the roles she played depends on the developed mental performer and admirers of her talent. Developed girls, impressed by the play of the actress, will choose the profession of a doctor, nurse, teacher, according to the natural properties of their vectors.
Aksinya. Love in sunflowers
“Tse is not your silly …”, - the teacher of the Kiev theater institute interrupted Elina, when the freshman read by heart an excerpt from “Quiet Don” - the scene of the meeting of Gregory and Aksinya in sunflowers. The hurt was deep. Immediately there was a stubborn desire to prove - mine! In the late 1950s, such an opportunity presented itself.
Elina learned that SA Gerasimov was going to shoot “Quiet Don” in France, where she had arrived with a delegation of Soviet actors. The news was so overwhelming that the actress was ready to leave Paris and go to Moscow, until the director approved the performers for the main roles.
The country was still under the impression of Gerasim's "Young Guard". This film, watched many times, returned Bystritskaya with her thoughts to frontline life. The ambulance train, in which the nurse Ela worked, was one of the first to be on the territory of Donbass liberated from the Nazis. The girl saw with her own eyes the pits of mines filled with the corpses of local residents, and the Germans were still hiding in the ruins of Donetsk.
And so Sergei Gerasimov conceived the shooting of a new series based on the novel by Mikhail Sholokhov "Quiet Don". The singing southern speech, which Elina Bystritskaya stubbornly got rid of while working in the theater, now she needed for the role of Aksinya. The body of the actress mastered new plastic "from the hip". This is a characteristic gait of a Don Cossack woman, when she carries with special chic in buckets on a yoke "entu water so that the Cossacks stare at her, break her eyes."
The lyrical outline of the work "Quiet Don" is the story of the relationship between the urethral Grigory Melikhov and the skin-visual Aksinya Astakhova. "Natural couple" - this is how it is defined by the system-vector psychology of Yuri Burlan. Aksinya did not become a muse for Grigory, inspiring the urethral leader to great achievements, rather the opposite. Her victimizing behavior led to the destruction of the Melikhov family, her own relationships and death.
For filming in Hollywood, the actress is busy …
In 1960, the premiere of Sergei Gerasimov's film "Quiet Don" took place in New York. Soviet actresses, one more beautiful than the other, interested Hollywood producers. Soon they received invitations to shoot in the USA at the State Film Agency.
These requests were hidden from the majority of Soviet actresses, and persistent American producers received standard answers: "The actress is busy, she cannot be filmed with you."
It is not difficult to imagine if they were in another country, they would not have received the same popularity and love of the viewer there as they had in their homeland. Unfortunately, every creative unit that moved abroad was considered there as an object for manipulation and information war against the Soviet Union.
During the Cold War era, the West needed a scandal and mandatory public recognition of escaped journalists, intelligence agents, ballet dancers and writers in their hatred of the Soviet system. Few of the creative people who left for America or Europe have achieved success there.
Actors and actresses who settled in the States, with poor English and a school of Stanislavsky far from Western traditions, were offered the roles of bandits, prostitutes, traitors or KGB agents. The vaunted Hollywood fantasy was simply not enough for more.
The Soviet special services were well acquainted with the "carrot and stick" of the olfactory technologies of the West, therefore they in every possible way slowed down and blocked any attempts of performers to travel abroad.
Komsomol member in a red scarf
Elina Bystritskaya did not get there for the shooting. Yes, if she did, no one would give her a role with such deep feelings as Aksinya. They are simply not there, or they are written out very superficially, and the bet is made only on the external data of the actress.
After a successful role in The Quiet Don, Bystritskaya starred in the film Volunteers, a film about the builders of the Moscow Metro and the romance of the first five-year plans. Elina played the girl Lelya Teplova - uncompromising, capable of strong friendship and great love. Lelya belonged to the generation of the actress's mother, whose Komsomol youth fell on the 30s.
The roles of Dr. Muromtseva, Aksinya, Lelia Teplova became the hallmark of the actress and a pass to the Maly Theater in Moscow. Since her student years, Elina Avramovna dreamed of becoming an actress of this theater, the performances of which she knew and loved. The Maly Theater accepted her, and she worked here for half a century. A theater with a classical repertoire suited the talent of an extraordinary performer. The actress herself believes that her creative destiny has developed happily.
We are not made for easy ways
In an interview, Bystritskaya admitted: "Everything bothers me: people, things, animals, life bothers me." Elina Avraamovna can be understood - the sound engineer needs silence and the opportunity to concentrate. The actress implements the properties of her sound vector in a new stage activity - vocals, choosing folk and front songs for performance.
Bystritskaya has a public profession and huge social burdens. Back in the 70s, she was elected President of the USSR Rhythmic Gymnastics Federation. To this day, Elina Avraamovna has retained this title and contacts with the federation.
She graciously receives honor and respect from fellow artists. The beautiful actress was admired by more than one generation of men, and she gave preference to one, having lived with him for 27 years. Having learned about her husband's betrayal, Bystritskaya filed for divorce. Negative experiences prevented her from re-entering emotional relationships.
When she is asked about a woman’s failed fate, the actress replies: “I participate in the general cultural process and THIS is important for me. I have never regretted that I made such a choice. I think that my destiny was very good: in the cinema, and in the theater, and in public life. Not every visual woman is capable of answering this way, but only one who is at a high level of development.
Educated and developed sound-visual women are often left alone. Not each of them is given to become the muse of the urethral leader in order to inspire him to lead the entire human flock into the future.
But even without urethral support, women such as Elina Bystritskaya bring culture and mercy to people through creativity and social and social activities. Fulfilling their specific role, they actively advocate reducing collective hostility in society and increasing the value of human life.
Although on stage Elina Avramovna is considered a grand lady, in life she is a very simple person. She had to communicate with ordinary soldiers, to whom she gave her blood in order to save their lives. She talked with the Iron Lady - Margaret Thatcher, noting to herself how she knows how to listen to the interlocutor, with a special turn of her head from bottom to top. Vector systems psychology would call this "special turn" olfactory.
Bystritskaya is adored by students and loved by the audience, and she loves them. He cares about students, creates funds to help future actors and elderly needy people, has no other idea of life. Too much she absorbed the mentality of the urethral society, which carries a sense of justice and mercy.
