Visual perception - who knows how to see and see
Artists, unlike other people, see the whole world more voluminously, deeper, brighter, richer and more detailed and therefore are able to convey the slightest nuances of each image so expressively that, in general, the effect of reality is created, even the feelings and mood of the picture become perceptible. Do they have special eyes?
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What strikes us the most in the masterpieces of world art? What exactly excites us about the outstanding fruits of creative thinking?
How does an artist manage to lay the paint so that we see the reflections of raindrops rolling down the green leaves? How can a moon beam piercing a storm wave be transmitted? And how does he manage to portray love in the look, pain in gesture, youth in posture or wisdom in a wrinkle?
To depict so that we ordinary mortals were able to see and understand all this in their creations?
Artists see the whole world more, deeper, brighter, richer and more detailed, and therefore they are able to convey the slightest nuances of each image so expressively that, in general, the effect of reality is created, the mood of the picture becomes visible.
Do they have special eyes? Yes! But not only keen eyesight determines the ability to visual perception of reality, the degree of development of innate qualities and the level of temperament play an important role.
Let's consider in more detail what visual perception is.
The desire to contemplate picturesque pictures of nature, colorful combinations of colors, admire landscapes and beautiful people arises only in a person with a visual vector. His eyes - the visual sensor - are so sensitive that they can distinguish more than four hundred shades of each color. Vision for him is the main channel for obtaining information about the outside world. To look and see is the greatest pleasure for the spectator.
From childhood, such people are the most emotional. Each emotion for a visual child can be both snow-white and blue-black. They have the maximum fluctuations in the experience of emotions. If he is laughing, he is so overwhelmed, and if he is crying, then sobbing, and one state can be replaced by another instantly. These are the emotional fountains of the visual vector.
Developing his natural predisposition to the perception of color, the visual child shows interest and aptitude for fine arts, modeling, photography, any activity in which he can show his creative vision.
The intellect of a person with a visual vector is figurative: each separate image is a picture plus an emotion. The richest fantasy and emotionality make any, even fictitious, image as real for the viewer himself as the real one. Therefore, all fears, phobias, panics or hysteria are those negative emotional states that are found in the visual person.
Education of the artist
The development of the visual vector, like any other, is possible only until the end of puberty, that is, up to 12-15 years. It is directly related to the education of feelings, the development of the emotional sphere of the child and has its own characteristics.
Since ancient times, the species role, that is, the task of a visual person in a primitive flock, is a day guard, because only his keen eyesight could notice an approaching predator in order to warn the whole flock of danger. An additional property of the day guard was the ability to instantly and strongly be frightened by surprise or danger with an involuntary exclamation of "Oops!" - in order for the flock to react quickly and everyone had time to escape. The fear of death is the root emotion of all people, but for the visual, this fear becomes huge and stronger than that of others. The fear of death in an undeveloped state of the visual vector becomes the basis for the emergence of various phobias.
The development of the visual vector consists in the ability to bring your fear out. What does it mean? Fear is a feeling that is always directed inward, that is, towards oneself: a person is afraid for his life. By acquiring the ability to empathize, compassion for others, the little eye learns to fear for the other, or rather to empathize with the other; fear, directed inward before, turns into an outward feeling, which is called love.
How does this happen? By what means is it possible? With the help of kind books and cartoons, the baby learns to sympathize with the heroes, and in the future to empathize and help another person who needs care and attention - this can be a sick or elderly relative.
The main condition for the effective development of the properties of the visual vector is the complete absence of factors that artificially cause fear in the child. These are scary tales, pictures with wild evil animals, books in which the hero is eaten or killed, games with fright, especially in the dark. All these factors stop the development of the child, because they fix him in a state of fear. And since the natural properties of the vector develop only until the end of puberty, a person who is fixed on fears for up to 15 years remains in this state for life.
The visual perception of colorful images, as well as the ability to experience any emotion with maximum amplitude, are given to the viewer by nature. Studying in an art school, or at least support in the development of creative skills, opens up the opportunity for the child to realize innate properties in art. However, without the development of a sensual, empathic attitude to the world, it will remain a love of contemplation of vivid pictures or craftsmanship in artistic activity without the ability to put a soul into a work.
Availability but not warranty
Not all thoseted with the properties of the visual vector become outstanding artists. But only a spectator can become an artist.
It depends on the level of temperament, that is, on the strength of desire in the visual vector, whether the penchant for drawing remains only as a hobby or turns into a lifelong business. How strongly a person feels the need to express feelings on paper or canvas, in photography or design, depends on his choice of profession, educational institution, as well as the desire to improve his skills.
Temperament, like the very presence of a vector, is innate, but without the development of natural qualities and their full realization, even the highest temperament gives simply the greatest shortages. A person feels his desire as an internal emptiness, an urgent need for something, but often this desire is unconscious, therefore it does not find a specific realization and can result in hysterics, domestic scandals, emotional blackmail, up to an imaginary suicide. The spectator, who in his perception of life closes in on himself, often manifests himself in this way.
Awareness of the nature of its vectors opens up great prospects for any person for the full realization of their innate properties, including creative possibilities, and for getting maximum pleasure from life.
The combination of the visual vector with the anal one gives a person perseverance, patience and diligence. These are, for example, artists who pay great attention to the smallest details and are ready to bring their creation to an ideal state. Such people also find themselves in jewelry, embroidery, sculpture, architecture and other similar activities.
For them, the quality of the work performed is above all, they do not tolerate haste or fuss and receive the greatest pleasure from recognition and respect. The talent and professionalism of an artist with an anal vector is always highly valued and paid accordingly, although more often the commercial side is handled by an artist's agent who has a skin vector, but is not endowed with artistic abilities.
The presence of a skin vector - in addition to a visual one - gives a person the ability to quickly adapt to the changing conditions of the external world. Such an artist often uses various technological innovations in his work, his works are more rational, adapted to fashion trends and consumer demand. In addition to direct creative work, the artist himself is sometimes engaged in advertising and selling his paintings, organizing and holding exhibitions, searching for sponsors and work orders.
Skin-visual artists are more often engaged in computer graphics, modern types of art, such as body art, anime, installations.
The most interesting thing is that art, as the ability to embody one's feelings in images, is the very beginning of the path for the owner of the visual vector. Many great artists, having achieved world fame, go further in their realization: they are engaged in charity work, help children, old people, sick and homeless people, making it the main goal of their work and getting the greatest pleasure and satisfaction from giving.
So, the big secret of creativity has been revealed!
The main secret of visual perception is the presence of a visual vector, but, like any other vector quality, it needs adequate development before puberty and full realization after it.
Only the most talented artist is able to create truly great masterpieces of art that will live for centuries, but the happiest person will be only the one who gets the most pleasure from his work, be it wood carving or creating a "line" of fashionable clothes.
