Trade arrogance for arrogance, or was Federico Fellini a snob
Why are concepts like arrogance and arrogance confused? And also the first and second interfere with snobbery? It was possible to distinguish between these concepts quite recently, in the 21st century, in the paradigm of system-vector psychology.
At ten thousand meters, the picture under the wing looks like a google earth map at a suitable scale - just as detached and safe, only there are not enough inscriptions on the landscape patterns. In this “arrogant” position, recorded by kilometers and feet on the retractable aircraft monitors, the question was recalled: “Why are such concepts as arrogance and arrogance confused? And they also take the first and the second for snobbery?"
It was possible to distinguish between these concepts quite recently, in the 21st century, in the paradigm of system-vector psychology. These characteristic features, if we consider them systematically and scientifically, are not confused in any way, but, on the contrary, clearly intertwine with each other.
Arrogance
Arrogance is in the sound vector.
The sound engineer is able to abstract from all the little things of everyday earthly life. Abstract intelligence … Deep concentration on your inner … All this developed from the prehistoric archetype of this vector, from the ability to locate barely audible nighttime sound signals. In the modern world, the carrier of the sound vector no longer needs to directly save the flock of cavemen from saber-toothed predators and any other enemies. Its natural properties are used or remain undeveloped in relation to modern society. And just as in antiquity, the contemplation of the rustle of the night stars responds to special strings of the sound psychic, resonating throughout the Universe …
Of course, since the times when on our small planet homo sapiens still had to share their habitats with such unpleasant neighbors as Neanderthals, the sound vector has also grown. And he applies his natural abilities of deep concentration in a more difficult field. All the big names in classical music, nuclear physics, philosophy, theology, psychiatry are the owners of the sound vector. The great sound sages showed the path of spiritual development, the path of revealing the entire structure of the universe.
What about sonic arrogance? I am above all of you - this is how many sound engineers feel. At the same time, paradoxically, going deeply into oneself … They are really above the philistine worries about their daily bread and mortal body. Only they are naturally given to experience pleasure from abstract, non-material reflections.
Whether this is arrogance or not depends on the level of development of his properties for each particular sound engineer. Norbert Wiener, the founder of cybernetics, anecdotally forgetful in everyday life, can hardly be called arrogant in the usual sense of the word. As well as developed theoretical scientists who melt the whole temperament of their sound vector into formulas and lemmas. And the fact that at the same time they remain introverts, they need silence and loneliness for mental concentration - this is not arrogance, but environmental conditions for a healthy sound engineer.
It is quite another matter - underdeveloped, not realized to the full extent of their sonic temperament. For example, a character who has dropped out of science, but has not found another worthy use for his sound vector: he reminds the whole environment every minute how intellectually superior he is. Even if there are no grounds, the past achievements of scientific thought are not enough, and the inertia of his thinking has just been revealed. Part of the unused sound volume, which can be a haven for depression, latent or explicit, is also filled with arrogance multiplied by egocentrism.
I guess you can call arrogance the "growth pain" of the sound vector. There is no need for arrogance at the very top of development, when the sound intelligence is able to explore the secrets of all sciences, decipher the octal encoding of the unconscious psychic, and reveal the structure of the entire universe.
Snobbery
Let's deal with the snobbery that is inherent in the type of the visual vector under certain conditions.
Unlike sound arrogance, snobbery does not exist in a weak, non-hatched visual vector in the cultural environment. Archaic addiction to sorcerers on coffee grounds, magicians-astrologers from the local selmag, fortune-tellers of cards - these naive troubles, of course, are incompatible with snobbery. The underdeveloped visual person remains on the conventional "farm near visual savagery." Although physically it can be located in a huge metropolis, and in a small village. Regardless of geographic coordinates, its visual vector did not set the direction to the mental metropolis of culture and education. And on this conventional farm, visual negativisms are blooming in full bloom: emotional blackmail in the style of a soap opera, public hysteria to squeeze out additional preferences for your beloved, and so on and so forth … Except snobbery. Snobs will not tolerate low-quality Tarot or homegrown TV series.
Snobbery needs a different soil. A considerable educational qualification, not excluding self-education, sufficient culture or cultural level, artistic erudition or flying erudition, an extensive glossary used in vain - and this list can be continued … The list of attributes of the "aristocrats" of the visual class, snobs in the good sense of the word.
A key parameter of visual snobbery is the requirement of aesthetics in everything. Everything should be fine in a visual person. All low, uncultured, unrefined manifestations become undesirable. The aesthetics of relationships is very important - for the slightest shade of rudeness, we will nail it to a pillory with irony. In "Medea …" by Lyudmila Ulitskaya, Sandrochka behind her back contemptuously calls a strong artisan, deprived of the upper vectors, a vahlak. That does not prevent her from seducing him to marriage bonds, because it is warmer behind a reliable stone wall and snobbery.
Like autumn leaves, snobbish manners fly around from the visual character, who, along the path of his social fulfillment, has outgrown the bar of global aestheticism.
There is no snobbery among visual health workers. Of course, I mean real, and not all false, quasi and pseudo-healers. It is impossible to imagine a nurse carrying a wounded man from the battlefield in a state of aesthetic snobbery. The pain and suffering, the blood and filth of the hospitals are tolerated without fainting by physicians with a visual vector that has grown into compassion and philanthropy. Only in this state are they able to act: heal, heal and save people, affirming the highest visual value - the value of life.
Artists of large and brilliant visual scope are also often not limited by snobbish conventions. They perceive all facets of existence, not shying away from the dark and not beautiful sides of life.
My sound-visual friend Elizabeth, late husband who was friends with Federico Fellini, talked about the visits of the great director to them in New York. At Fellini's request, he was taken to the most sinister and gloomy places of the city at night, lumbering nightclubs and odious dance halls. Elizabeth wore double earplugs so she wouldn't go deaf. She did not want to stay at home, she wanted to be with Fellini, who literally ate through the eyes of strange characters, regulars of those places, grotesquely dressed, ugly, terrible, unaesthetic …
Perhaps these meetings helped her choose a career as a theater director. By the way, she also does not notice petty snobbish manners - neither on stage, nor outside the theater.
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