A. Pushkin: "The heart lives in the future." Part 1
Pushkin is our … what? A. S. Pushkin is perhaps the brightest representative of Russian urethral sound specialists, an amazing caste of people of the future, abandoned in their time by sparks of a passionate and unquenchable desire to comprehend the Concept.
"Great Pushkin, little child!" - these words of A. A. Delvig reveal the essence of the amazing nature of the poet, already known during his lifetime to everyone who possessed Russian literacy. The immiscible unity of the two elements of the psychic unconscious - the urethral and sound vectors - is always burning at the edge of the abyss. A. S. Pushkin is perhaps the brightest representative of Russian urethral sound specialists, an amazing caste of people of the future, abandoned in the 19th century by sparks of a passionate and unquenchable desire to comprehend the Concept.
The great poet and author of dubious rhymes, the ardent lover of “all free chatterboxes” and the quivering husband of a silent Madonna, a lifelong exile, choking on the short leash of their imperial nonentities, and an idle reveler, a hermit and a passionate duelist, a favorite of the muses and a bogey of the secular rabble.
Pushkin is our … what? To understand from within the psychic unconscious, what was happening in the soul of a genius, means to come closer to understanding his work, life, fate. Yuri Burlan at the training "System-Vector Psychology" invites everyone to make stunning discoveries where, it would seem, everything has long been laid out on the shelves.
Pushkin is an extraordinary phenomenon and, perhaps, the only manifestation of the Russian spirit: this is the Russian man in his development, in which he, perhaps, will appear in two hundred years.
(N. V. Gogol)
Instead of introducing
There is nothing from Pskov to Mikhailovsky. Ivan Pushchin went to see his exiled lyceum friend in the evening, and in the morning of the next day he was almost at the goal. It remains to turn off the road and race through the forest along a mountainous country road. The sleigh rolls, the driver flies into a snowdrift. Barely grabbed the reins. Horses rush through the snowdrifts. The last rise, turn, and the sleigh, with a crash flying straight into the yard, get stuck in the snow. Pushkin is already on the porch. Despite the frost, he is almost naked. Embrace. The frosty coat of Pushchin melts from the heat of the body, covered with one shirt. They came to their senses. We went into the room.
A simple wooden bed, a tattered card table with a fondant jar instead of an inkwell - all this bears little resemblance to the well-known painting by NN Ge "Pushkin in Mikhailovsky". Scribbled sheets and bitten burnt feathers are everywhere. “From the very lyceum I wrote with rims that could hardly be held in my fingers,” recalls I. Pushchin. The door to the inner rooms is locked, the house is not heated, "they are economizing on firewood." Pushkin was overgrown with sideburns and looked like his portrait by Kiprensky. The friend seems to Pushchin somewhat more serious than before, although when we sat down with pipes and coffee, the poet's former liveliness returned. "He, like a child, was glad of our meeting … There were many jokes, anecdotes and laughter from the fullness of the heart."
The secret society was also touched. Pushchin confessed that he "entered this new service to the fatherland." In a year he will go into exile for twenty years … In the meantime, Pushkin does not force his friend to speak, although the topic of the conspiracy is extremely interesting to him: "Maybe you are right that you do not trust me."
It is generally accepted that the members of the secret society did not trust Pushkin "for many of his stupidities," and perhaps even spared him, anticipating the outcome of the case. Below we will definitely try to figure out why we didn’t trust and whether we were sparing, but for now a traffic jam from the "Clicquot" brought by Pushchin is flying into the smoky ceiling. They treat the sparkling nanny Arina Rodionovna and her seamstress assistants, among whom "one figure is sharply different from the others." Pushkin smiles broadly at a mute question from a friend. They drink to the Lyceum, to friends, to her!
Pushchin brought a literary novelty to Mikhailovskoye - "Woe from Wit". Pushkin begins to read the manuscript aloud, extremely pleased. He is familiar with Griboyedov and is delighted with the versatile talents of his namesake. Suddenly, the reading of the comedy stops, instead of the manuscript on the table - "Chetya Menaia", and at the door an uninvited guest - a short reddish monk with an inarticulate apology for the intrusion under an obviously far-fetched pretext. After drinking tea with rum, the clergyman finally leaves. "I am entrusted with his observation, however, nonsense …" - says Pushkin and continues Chatsky's interrupted monologue.
It was past midnight. It's time for Pushchin to return. “I drank sadly, as if it felt like it was the last time.” Pushkin said something else after Pushchin, who was fleeing from surging tears, but he did not hear. The last time Ivan Pushchin saw his friend Alexander Pushkin was on the porch in a shirt with a candle in his hand. Twelve years later, painfully dying, Pushkin will call his name.
PART 1. PUSHKIN AND THE DECABRISTS: "COMRADE, BELIEVE …"
The fact that Pushkin was closely acquainted with many Decembrists is well known. Opinions vary as to his non-participation in the conspiracy. Someone believes that the Decembrists did not trust Pushkin, there is an opinion that he was spared. With a systematic analysis, it becomes quite clear how far A. S. Pushkin was from the ideas of the Decembrists.
Pushkin was a living volcano, the inner life beat out of it like a pillar of fire. (F. N. Glinka)
Comparing the psychological portraits of Pushkin and the Decembrists from the point of view of systems thinking, we can say with all certainty: Pushkin could not, in principle, be inside a conspiracy. "Open to sympathy more than disgust," ardent and passionate, giving all of himself out with ardor, Pushkin was absolutely incapable of a hidden political game, the engine of which is always a skin desire for a higher rank (power), an anal desire to improve the existing system and a sound idea of justice, understood as improving the position of the revolutionary class.
The Decembrists strove to restrict autocracy by law (constitution), their sound idea of some kind of abstract freedom had nothing to do with the urethral freemen, which determined the mentality of the Russian people and absolutely coincided with Pushkin's urethral-sound vector set. That is why the Decembrists suffered defeat, "terribly far from the people", from their mentality, and not because their circle was narrow. The law in force in Europe, which captivated the skin and sound Decembrists, turned out to be fiction on the urethral-muscular landscape of Russia.
Pushkin could not help but sympathize with the doom of the Decembrists. These are people from his inner circle, his classmates, friends. Nevertheless, at an unconscious level, the ideas of the Decembrists are infinitely far from the poet. By virtue of his urethral-sound psyche, Pushkin unmistakably felt the only possible future of his country and people, which was not associated with the establishment of a constitutional monarchy. The freedom-loving verses of Pushkin, falling into the lack of the collective unconscious, were read as a direct appeal to rebellion. From within his urethral essence, the poet put completely different meanings into these verses. Below we will analyze this in more detail using the example of the ode "Liberty".
Pushkin “loved pure freedom, as one should love it, but it does not follow from this that he was a ready revolutionary,” recalls a close friend of the poet, Prince. Vyazemsky. The urethral-sound ligament of vectors in the psychic is the only combination of natural properties that makes it possible to feel the absolute idea of the future without admixing skin ranking in the present or anal improvement of an already existing sample of the world order. Pushkin not only did not believe in any reforms of the autocracy, he did not ask such questions. The political players felt it well.
And Pushkin did not want to participate in political games. Loving the most beautiful woman and dying in an honest fight was his idea of happiness. A. S. Pushkin brought his unconscious feeling of freedom into poems that were interpreted by both the Decembrists and their followers in the meanings available to them, that is, as calls to overthrow the existing government or, at least, to reform the outdated state system. In fact, these verses are about something completely different - about the natural urethral will and the spiritual freedom of choice of mercy.
It is interesting that just when the Decembrists far from the people were preparing an uprising on Senate Square, the exiled Pushkin in Mikhailovskoye ended the tragedy "Boris Godunov" - the first work of Russian literature in which the mentality of Russia is described with systemic accuracy. The sound shortage in the collective unconscious began to fill. A year later, the first reading of Godunov will completely stun the audience, the play will be immediately banned.
Talking about the difference in the life scenarios of Pushkin and the Decembrists, one cannot fail to note one more aspect. The heroic skin and sound asceticism of the Union of Welfare, which encourages the revolutionary hero to give up fun and earthly love for the sake of an abstract common good, did not fit Pushkin in any way. The ideologues of Decembrism considered it worthless to sing love when "the soul craves for freedom alone."
Love lyrics caused condemnation of K. F. Ryleev:
Love never comes to mind:
Alas! my fatherland suffers, Soul in the excitement of heavy thoughts
Now it yearns for freedom alone.
V. F. Raevsky from the fortress called on Pushkin:
Leave love to other singers!
Is it love to sing, where blood splashes …
The opposition of the hero to the lover, and freedom to happiness was natural for the psychic unconscious of the skin-sound Decembrists, where the prohibition is organic, and the low libido is almost completely stopped by sound. Pushkin understood freedom in a completely different way, in an urethral way, as will, which was not opposed to happiness, but coincided with it. A free person does not mortify his desires, on the contrary, the power of his vector desires is the highest. The urethral will does not fit into any framework, it is life over the edge, sweeping away any conventions, restrictions and prohibitions on its way. The free society of the future is not a union of ascetics, but a community of developed people who have the audacity to desire and fulfill their true desires. Pushkin unmistakably felt this at an unconscious level.
Read more:
Part 2. Childhood and Lyceum
Part 3. Petersburg: "Unrighteous Power Everywhere …"
Part 4. Southern link: "All pretty women have husbands here"
Part 5. Mikhailovskoe: "We have a gray sky, and the moon is like a turnip …"
Part 6. Providence and conduct: how the hare saved the poet for Russia
Part 7. Between Moscow and St. Petersburg: "Will I soon be thirty?"
Part 8. Natalie: “My fate is decided. I am getting married.
Part 9. Kamer-junker: "I will not be a slave and a buffoon with the king of heaven"
Part 10. The last year: "There is no happiness in the world, but there is peace and will"
Part 11. Duel: "But the whisper, the laughter of fools …"
